Four snapshots from the sequence:
backlight
As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.
Exceptionally, the link below leads to a version of the sequence enhanced by extracts from Boulez's Notations for orchestra.
backlight
Three snapshots of the sequence:
I saw the sky become overcast, the sea quiver ...
As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.
Exceptionally, the link below leads to the second movement of the sequence, enhanced by an excerpt from Henri Dutilleux's Métaboles.
I saw the sky become overcast, the sea quiver ...
Three snapshots of the sequence:
leeward
Wind in the sails, katabatic winds on the ocean surface, wind on sea ice in the early stages of formation.
leeward
Three snapshots of the sequence:
in every color
A three-movement sequence, merging some of the fixed compositions published in the previous article.
