watch as one listens

As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.

Exceptionally, the link below leads to a version of the sequence enhanced by extracts from Boulez's Notations for orchestra.

As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.

Exceptionally, the link below leads to the second movement of the sequence, enhanced by an excerpt from Henri Dutilleux's Métaboles.

Wind in the sails, katabatic winds on the ocean surface, wind on sea ice in the early stages of formation.

A three-movement sequence, merging some of the fixed compositions published in the previous article.