Category: videos

A whole set of parallel lines in motion, drawn in black and white or taken from real shots.

first movement: steps of the waterfall at the Fondation Louis Vuitton in Paris, fountains on the forecourt of the Burg Khalifa tower in Dubai, reflections of the lights in the port of Abu Dhabi, sands flowing from the dunes of Quatar,

second movement: cranes in Persian Gulf ports, refinery chimneys on the Detroit River, salt tracks on the Salar D'Uyuni,

third movement: tours of Persian Gulf cities,

fourth movement: reflections of Abu Dhabi harbour lights again, ski tracks in the snow at Megève.

As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.

Exceptionally, the link below leads to a version of the sequence enhanced by extracts from Boulez's Notations for orchestra.

As I've already said, when composing this sequence and many others, I had in mind the musical creations that are dear to me, first and foremost those of the two great composers of the late twentieth century, Henri Dutilleux and Pierre Boulez.

Exceptionally, the link below leads to the second movement of the sequence, enhanced by an excerpt from Henri Dutilleux's Métaboles.

Wind in the sails, katabatic winds on the ocean surface, wind on sea ice in the early stages of formation.

A three-movement sequence, merging some of the fixed compositions published in the previous article.

In three movements: The swell animates the surface of the sea and the forming pack ice, while waves travel through the digital draperies.

Smoke and pink clouds in the Paris sky, storm clouds in the Argentine sky and nebulous shapes drawn, gradually giving way to clarity.

In the final stage of seawater glaciation, the ice floes fracture as the icebreaker passes over them.

Some stages in the glaciation of sea water in three movements, without too many drawn elements, but with different modes of fusion of real shots taken along the coast of Antarctica.

Icebergs, glacier fronts or broken ice floes: the sharp edges of the ice intersect with sharp patterns.

Some of the actual shots were taken during a cruise along the coast of Antarctica from Adelie Land to the Peninsula; the swell and the ship's bumps against the drifting ice sometimes affected the stability of the camera.