For the animated sequence, I have favored real shots very graphic and rather austere in terms of colors. Also, as it was the case previously for the salar of Uyuni, one will find here fixed views more attractive and not appearing in the sequence:
grey sea, yellow sea
A sequence based only on real shots, hardly modified for the color.
grey sea, yellow sea
A snapshot from the sequence:
curves
New curves are added to some of the lines used in the previous sequence. In the background, there are real shots, including a wake filmed from the back of the ship that runs continuously throughout the sequence.
curves
Various snapshots of the sequence, with curves that sometimes appear to be straight because they are seen in 3D from a particular angle.
lines
Lines of different types move and intertwine.
first movement: straight, broken or curved lines,
second movement: other types of broken or curved lines,
third movement: only the curved lines of the first and second movements remain.
lines
The different types of line appearing in the sequence :
night
Digitally drawn, a large number of predominantly blue patterns. Filmed in real life, reflections of fireworks on the surface of the water or the signal lights on a runway at Charles de Gaulle airport. All of this in a night-time atmosphere.
night
Various snapshots of the sequence :
